Tag Archives: Harry Potter

Postcards He Gets

  

A buddy and former Sciences Po classmate of mine (currently studying at the London School of Economics) runs a very cool Tumblr blog called “Postcards I Get,” in which…well, I think it’s pretty self-explanatory. Here’s a recent description:

Very smart of the Universal folks to go sans explanation back here, although it might have been nice of them to give details on joining Dumbledore’s Army for self defense tips while on campus.  Still, despite a day of rubbing elbows with wizards, Erin survived to tell the tale, so it can’t be all dark arts and deadly forests.  Whatsmore, they seem to have figured out a new method of posting letters!  Sure, that owl holding an envelope looks like a postmark, but…it’s not.  I’ll accept that the nifty Hogwarts stamp is at least semi-legal, but nowhere were any of these stamps officially canceled by the USPS.  How to explain this postcard I got, then, except accepting that it’s magic?

Bonus points: thanks for the clarity as to my status, incongruous stamp theme

Why “The Avengers” is just another nail in the coffin of good cinema

Via the Boston Globe:

Hulk, smash.

That’s what Captain America tells the Incredible Hulk to do in “The Avengers,’’ and that’s what the Marvel Comics superhero mash-up did at the box office, smashing the domestic revenue record with a $200.3 million debut.

It’s by far the biggest opening ever, shooting past the previous record of $169.2 million for the debut of last year’s “Harry Potter’’ finale.

Here’s the thing. I saw The Avengers. I’d rate it somewhere between Transformers and Batman Begins (much closer to the former than to the latter). In other words, I moderately enjoyed it for what it is, which is an action-packed movie with all the brainpower of a roll of toilet paper.

But here’s another thing it is: part of a franchise. And as Columbia professor Tim Wu explained in his book The Master Switch, movie studios have grown more and more likely to reuse boring, cookie-cutter formulas for movies, especially when they cost hundreds of millions of dollars to produce. This is most easily done by building (or building on) franchises, with sequels, accompanying merchandising, and the works.

Such has been the case with the Marvel Comics series of superheroes. Once Iron ManIron Man 2, Captain America, etc. became hits, it was only inevitable that the series would continue, no matter how stale or ridiculous the material. (For more proof of this, see every Pirates of the Caribbean movie after the first one.)

So The Avengers is a huge hit, and the likely consequence? Fewer risks taken on better movies.

Return of the prodigal blogger

After a self-imposed month of absence in June and a carryover helping of apathy lasting halfway into July, today I return. (Like Harry Potter, only with less fanfare.) A voluntary writing ban can last for only so long before disintegrating in a cloud of rusty word-dust. I say rusty because I am. Over a month ago I began posting on my new Tumblr feed (as well as significantly stepping up my Twitter prolificacy), and — due to my utter lack of practice elsewhere — I’d never gotten so much enjoyment out of devising captions.

Notwithstanding my two-pronged double-T social networking pastimes (tweeting and tumbling happily along, I did), long-form writing beckoned, and so here I am. In the blogosphere (I hate that word), long-form can actually mean something approaching book-length, but here I only use it to distinguish these missives here from their more concise 140-character counterparts.

By the way, I just discovered that WordPress has added Google’s +1 button as a sharing option for posts now. This brings me to a somewhat related point, which is that my Houdini-like vanishing act from this blog in June precipitated quite a foray into social networking in general. Google+’s launch roughly coincided with my “blogstinence,” and Twitter helped fill that gaping void known as narcissism-deprivation as well. I also recently acquired a Spotify account and have slowly begun reentering the chaotic and mostly annoying world of Facebook. “Hello, world,” indeed.

I can tell this post is going nowhere, so now’s as good a time as any to wrap things up. But suffice it to say that you should expect to see more of me in the very near future, cobbling together spare consonants, vowels, and the occasional exclamation mark toward whatever ends I please — which theoretically could be absolutely anything, and in practice will consist almost entirely of jokes likening Mitch McConnell to a Thanksgiving turkey.

Oh, and one more thing. I’m moving to Paris next month for grad school. My girlfriend is moving to Alaska for a law clerkship just days before. This seems (and is) vaguely ridiculous, but we’re staying together, which isn’t at all. So I would remind you (and by you I refer, of course, to exactly no one) that, if you could forgive my unannounced sabbatical last month, I would kindly thank you to equally absolve me of any sub-par upcoming performances, which will no doubt include fits and starts and the occasional sputtering “I can’t speak the language and I’m going to fail all my classes.” The first part will be true (at least at the beginning), and hopefully not the second.

I have never read Ernest Hemingway’s A Moveable Feast, although I’m about to, but yesterday a former French professor emailed me its opening line as a sort of benediction for the coming year: “If you are lucky enough to have lived in Paris as a young man,” Hemingway writes, “then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast.”

And with that, I bid you good night.