Jay: Episode 3 was a strange beast. You’d think that, after two Brody-less episodes, I’d be thrilled to finally get one in which he’s onscreen for most of the hour. (Even more so considering the utter absence of his family, which I think everyone can agree was a pleasant development.)
And yet at times his scenes seemed to drag on (a notable achievement given the clear –and successful — attempt at eye candy with the inclusion of Martina García as Esme), without any clear sense of direction. I suppose it was inevitable that a substantial amount of time would be required to reestablish Brody in the viewing audience’s consciousness. But something about his interactions with the doctor, as well as with Esme’s father, left me feeling slightly disengaged by about 30 minutes in.
Fortunately, the duller moments were broken up by some truly spectacular vistas of downtown Caracas, including a breathtaking view of the Tower of David itself from the outside. But phenomenal cinematography aside, I was still left with a lot of questions. For example, how did Brody end up in Colombia in the first place, before getting shot and making his lucky way into Venezuela? And who, exactly, was the guy that visited Carrie in the mental hospital? (And why did he call her — at least, it sounded like he did — Franklin when he first saw her?) And who, or what, is really keeping Carrie in the institution? Is it really Saul, or is it simply the doctor out of concern for her condition? Continue reading “Tower of David:” Homeland catches up to Brody